Well I finally caved in and bought an iPhone - and my favorite feature (and main reason for buying it) is of course the multi-touch capabilities. So currently OSCemote is my favourite app. Apart from having a few sliders and knobs which transmit OSC (similar to TouchOSC), it also has a multitouch pad which sends out TUIO messages, so any app which responds to TUIO (E.g. anything written with reactivision api) will respond. So I had to try out my visualisation for the Roots Project! Up and running in 5 minutes! Awesome! (I had to rotate the coordinates in my processing code though to have the long end of the iphone screen map to the long end of my desktop screen, slightly annoying that this isn't an option in the app... hopefully soon :P).

I'm very much into creating intuitive interactivity with minimum dependency on a controlled enviroment - so the experience can easily be recreated elsewhere with minimal hardware & setup (which is why I generally prefer optical flow analysis over blob tracking if I can, for vision related projects). So a conversation in the vidvox forums about painting in Quartz Composer using the Wiimote but without using the IR sensor really sparked my interest.

This is an 'early current state of app' demo for a multi-discipline event I'm working on with Streetwise Opera, Mira Calix and fellow visualists Flat-e, to be showcased at the Royal Festival Hall later this year with quite a few more venues lined up.

The app was written in Processing 0135 and is running realtime at 60fps, though if I add another couple hundred eels it does drop, so I may switch to OpenFrameworks if performance does become an issue (which it probably will). There are occasional freezes in the video which happened while capturing the screen so that is a bit annoying.

I'm controlling the eels using the mouse, keyboard and Quartz Composer (just simple sliders sending OSC to vary some parameters - similar to the 'magnetic force fields' video - I'm quite into this technique now, very quick and easy to setup, and you can have loads of sliders with descriptive names at your disposal to play with, and adjust your internal variables in realtime for tweaking heaven).

The final show will have many many more features, both in the digital realm, and physical... more info coming soon...

I strongly recommend watching the HD version at http://www.vimeo.com/1582196

This is a demo of creating and visualizing magnetic (kind of) fields in Processing and controlling with a tangible multitouch table and Quartz Composer. It gets more interesting after the 1 minute mark :P

I recommend watching the video in HD at http://www.vimeo.com/1569676

The demo came about as a digression off the Roots project I'm working on with Jordan & Owen - makers of the Bricktable (http://bricktable.wordpress.com/). You can read more about the Roots project at http://www.memo.tv/roots_creating_and_visualising_generative_music_on_a_... and http://bricktable.wordpress.com/about/what-is-roots/ .

Thanks to the windy ways of the web, I've found myself working with some truly talented musicians/techies/electronics experts over on the otherside of the pond in California, on a very exciting interactive, generative audio/visual project. The number of traditional instruments they have and play wasn't enough for them, so they decided to build their own, as one does when in that situation - one of which is the bricktable, a tangible and multi-touch table - and instrument.

I've worked on a number of interesting interactive audio projects, but the approach in this one is quite different and i"m very excitied to be working with the bricktable guys on it.

In one line: You control parameters of a chaotic environment - which affect the behaviour of its inhabitants - which create and control music. 

To breakdown very briefly without going into much detail:

First video from the Glastonbury 2008 PI installation is below, and photos can be seen here.

Some info on the installation below:

This is a little teaser for an audio visual interactive installation I'm working on for Glastonbury 2008. It'll be projected around the entire (almost) 65ft interior of a 50ft round tent with multiple channels of audio. Everyone inside will be contributing to the audio/visual experience. Located behind the Laundrettas' crashed plane / laundrette in Trash City, more info at the official site pi.seeper.com

This is the beginnings of a Processing / Java port of the webcam-to-osc/midi app I originally did in Quartz Composer. The source code for the processing version is below, and you can watch (or download) the Quartz Composer version here).

Its quite early days yet and doesn't have all the features I want (scales, realtime sizing of grid etc.), but I'm posting posting it because:
a.) it does work on a basic level,
b.) It was requested on the processing forums and I thought it might be useful...

It doesn't transmit midi, but does transmit OSC, and I'm using OSCulator to forward the OSC messages to midi. I prefer doing it this way because I can have another computer on wifi receive the OSC messages and map to midi (and send to Logic), keeping the CPU on both machines lighter... (or just keep the oscTargetIP as 127.0.0.1 to send the OSC to the same machine and have everything running on one machine. Flexibility is always sweet).

I just returned from a fantastic week in Aldeburgh courtesy of Aldeburgh Music on the New Music New Media 2008 Workshop, and what a week it was...

Working with 14 amazing contemporary musicians - 6 composers and 8 performers, including cellist Olly Coates and pianist Sarah Nicolls - masters of sound-tech Sound Intermedia; and fellow visualists / interactive tech-geeks at Flat-E we delved into some nice Exploration of Audio Visual Diversity.

A test in motion detection in Quartz Composer 3.0.

The music is all generated in real-time by me waving my fingers, hands and arms around (or in fact any motion) in front of a standard web-cam. No post-processing was done on the audio or the video.

The concept is by no means new, but still fun nevertheless - and I'm quite happy with this implementation. I'm using a very simple frame difference technique and generating midi notes based on where-ever there is movement (actually, as QC3 cannot send midi notes I had to send the data as OSC and use OSCulator to forward them as midi).